Ingram Marshall
Savage Altars
NA130
The Tudor Choir; Sarah Cahill and Joseph Kubera, piano; Benjamin Verdery, guitar
Savage Altars, from a concert performance by the Tudor Choir, derives its title from the Roman historian Tacitus' Annals Book I, which chronicles the Roman campaigns against the German tribes. They suffered a devastating defeat by the Cheruscan soldiers in the Teutobugian forest. Six years later, the remains, bleached out bones, splintered spears and debris, of three Roman Legions, were found, the whole of which was named "barbarae arae"—savage altars. Elements of the hymn Magnificat, and the canon "Sumer is i cumen in" are also interwoven in melodic and textual contributions. This was written on the eve of the first Gulf War under Bush the elder.
Authentic Presence addresses a continuous state of spiritual mindfulness and was unconsciously inspired by the civil rights anthem, "We Shall Overcome".
Five Easy Pieces are a kind of homage to Stravinsky and were made for no other reason than for having fun.
Soe-pa, the Tibetan word for patience, is for solo guitar with digital delays and loops. It is a more formal exercise in composition that involves the interplay between live and electronic media.
Track List
1. Savage Altars
The Tudor Choir 20:19
2. Authentic Presence
Sarah Cahill, piano 12:02
Five Easy Pieces
Sarah Cahill, Joseph Kubera, piano
3. Fluttering 2:01
4. Inbal 3:07
5. Tangoesque 1:48
6. Jimnopedique 2:05
7. Barberesco 1:35
Soe-pa
Benjamin Verdery, guitar
8. 1st Movement 10:08
9. 2nd Movement 2:33
10. 3rd Movement 3:13
Total: 59:18
$15.00
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